Asher, J. (2011). Thirteen reasons why. New York, NY: Penguin Group
I read Thirteen Reasons Why over the course of one busy Tuesday. In starts and stops -- whenever I could steal a moment from my busy life, I read about the end of Hannah's. I felt like Clay, through whose experience the story unfolds -- pressing stop and continue on my e-reader as he was stopping and continuing with his (borrowed) cassette player; reading / listening to Hannah tell the reasons why her life unravelled. The experience was surreal and unpleasant like watching the slow motion replay of an automobile wreck. You already know how it's going to turn out but maybe knowing the reasons why will help you feel better. Clay didn't and I didn't. At the end I understood that a series of unfortunate, thoughtless, even rude events brought Hannah to the decision to end her life. (Yes, high school is rough. Kids are cruel.) I understood that Hannah felt alienated and alone. I even understood that Hannah believed she had no other options. But, where were her parents through all this? Why did she rebuff the one person who cared for/could have saved her. Why did she choose to become what the rumors suggested she was. Why did she choose to confront her thirteen reasons in death on pre-recorded cassettes instead of in life with the same in your face attitude? What happened to her before that made her give up so easily?
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Mapping the Journey |
Thirteen Reasons Why left me with more questions than answers. But just like the morbid curiosity we all show as we pass a car crash, I couldn't stop reading this book. I had to know who and what was involved. I think the characters could have been more fully developed. I didn't get to know Hannah enough to understand why these thirteen events so devastated her. I sympathized with her but just like a quick glimpse at a car crash, I still don't understand why. The alternating viewpoints between Hannah's telling of her reasons and Clay's reactions to and memories of some of the same incidents, however, was riveting. Older teens, young adults and older adults, too, may read Hanna's story as a cautionary tale, a way to open awareness and a dialog about teen suicide and the "never reason enough" reasons they make that choice.
Universal Pictures and Strike Entertainment have acquired the movie rights for the book.
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